The Last Jedi had a profound effect on me by the time the curtain closed. Rian Johnson had forced me to reach deep inside and ask a question I had never really thought about when it came to Star Wars. And once that first question had passed through my mind, it turned out to be merely a cork holding back more. Star Wars has always been something I have taken for granted. I was born shortly after Return of the Jedi, and since then I have always known it to be a safe space for all who dare to learn of science fiction. It’s shallow waters, the wading pool, calm, warm, and relaxing. Anyone can enjoy it and did. You can safely discuss it at a mixed party because even if no one has seen it, they are aware of it. Almost like using the force, as it connects and binds us together, you can find a friend just by mentioning its name. But now, out of the shallow waters, I come ashore, bothered by the question that weighs heavy on my mind. I sit on my own Nerd Island, alone but for the internet that connects us all, and I am forced to ponder still, “Do I like Star Wars?”

I am older now, but I grew up with the Skywalkers. It was the kind of series that was almost like a baby blanket; you carry it around with you everywhere, pacifying your insecurities and passing the endless afternoons lost in its embrace. In my tweens, episodes 1 through 3 had arrived, but I was still a bit too young to tear them down or pull them apart or really do anything but watch. I knew it felt off, but so too did the Special Editions. At the time, I thought maybe I just didn’t like change or that I was jaded. When The Force Awakens landed, I was impressed. Mostly because I had come to terms with the prequels in some way and Episode VII returned Star Wars to its roots with a modern visual twist. Now, The Last Jedi, has come to basically tell fans everything they wanted to hear. “You were right. Practical effects don’t need to replaced. All your favorite characters are the legends you have always built them up to be. You deserve to be rewarded for your faith. Star Wars is everything YOU want it to be.” We can look at this film as the Star Wars cannon that exploits everything about its universe for the good of the viewer. But that line of thought all derives from the fan in me. The fan I am now questioning. Because now, this fan is not only an adult, but an amateur film critic.

I had trouble digesting this film. The Last Jedi pushes Star Wars in directions I don’t think anyone thought the cinematic cannon would allow. It is a daring film in its own universe, far more so then its mirror film The Empire Strikes Back. But the more I thought about it, the more I recognized how many choices were made for the sake progressing the story. To be clear, without giving anything away, there are many unexplained transitions. People returning to or ending up in places inexplicably. Though at points glaringly obvious, they deftly move past this, showing us cannon defining consequences for the characters, possibly as a way to divert your attention from their laziness. You can’t help feel that it’s all too convenient. The narrative is tenuously held together. Were the audience given much of a chance, they might start asking questions, and the more questions you ask, the more you realize you have been rationalizing the plot for the writers. “How did Rey get there? Oh, she must have…” This seemed to me to have been the bane of science fiction/fantasy stories, especially those that are advanced completely by the characters like Star Wars. Unlike most films in this category, the characters are the focus point and the world revolves around them. Unexplained transition is by far the largest flaw in the film. The original trilogy by comparison had a solid narrative, possibly due to the technology at the time or the sentiments of film and storytelling. A New Hope explained each coincidence or choice along the way, and not always verbally, but visually as well.

Recognizing The Last Jedi’s narrative issues, it was still able to do something films aren’t always able to do. It connects with you emotionally. I had goosebumps, my palms were sweaty, I felt sad, happy, and excited. At this point, I realize I am having trouble viewing this as an outsider. Star Wars is too close to me. Objectively, I would argue that the value of an emotional connection in a story is higher than any flaw found with its execution. It also has the added benefit of being a serialized story, building with each entry. But, if you are able to connect with your audience, through visuals, music, acting, and direction, than you have effectively made a “good” film, even if much of the emotional connection relies on previous entries. Still, this can be a hard torch to pass, it isn’t without its difficulty. Visually, you couldn’t ask for a more satisfying Star Wars. It is ripe with an amazing color palette, physical props, some of the best CGI in the game, and more than enough background fun for fans. The music is a bit more bombastic than in previous outings and at times feels a bit out of place, but it still ranks as some of the most iconic in cinema. The softer songs are so inspired, I can see myself listening to them often in the future. And finally, Mark Hamill gets to be the man we always wanted him to be. Cool. Mark Hamill is finally cool. A brooding old Jedi Master, Hamill brings to life a version of Luke that Hayden Christensen should have been able to manifest in Anakin. It has become my favorite performance by Hamill to date. Oscar worthy? Not by Earth standards, but Star Wars fans might never find better. The late Carrie Fisher was much more comfortable playing Leia than her stilted performance in The Force Awakens. She was commanding, nurturing, funny, and natural. The rest of the cast, Adam Driver (Kylo Ren), Daisy Ridley (Rey), John Boyega (Finn), Oscar Isaac (Poe), and Domhnall Gleeson (Gen. Hux) all play up their characters for bigger laughs and deeper emotional connections this time. Newcomer Kelly Marie Tran (Rose) instantly fell into the ranks without any trouble at all.

This brings me back to director Rian Johnson. I own all of his major releases, Brick (2005), The Brothers Bloom (2008), and Looper (2012). (I only realized this having just looked at his IMDB page.) He has a special eye for detail, the kind of quality that breathes life into anything he points a camera at. The backdrops and surroundings are just as important as the people standing in them, and he has his own spin on this, using clean lines and hyper detail. He also seemed to have a hard on for Anime, like Cowboy Bebop or Macross. All of his talents are at their peak in The Last Jedi. However, there are moments of in this film that seem a bit compromised. Mostly, it’s the forced, unnatural comedy. The film opens a bit like Thor, with a dull, moronic, misplaced joke that might satiate the masses, but it felt so out of place for Star Wars. It’s not that it disturbed the natural order of a sci-fi/fantasy, but it definitely reminds you that you are in a theater, on planet earth, in the year 2017, which is something I am trying to escape from. And these jokes are found throughout the film, quite possibly meant to balance correct the mood of a “Disney” film, but they could have found more natural ways to go about it. In The Force Awakens, the comedy comes from a natural shtick, bumping into things, miscommunication, and dramatic character interactions. Still, Johnson always drew me back in with his love of the characters at the heart of the Skywalker saga. He took care to make sure that every moment on screen advances who they are and conflicts with who they want to be. He drew out an originality in Star Wars I haven’t seen since The Empire Strikes Back.

Having spent the better part of the day thinking about my initial question, I have come to a conclusion. Star Wars means more to me symbolically than any flaw you can find in it as a film. And while my ability to look at the film objectively has caused me to philosophically question my devotion to both film and Star Wars, I have come out the other side able to recognize that some projects, over time, become a part of you. They transcend your ability to be critical of their flaws, because like family, they can be forgiven. I forgave the prequels of all their misgivings because they still gave me more than they took away. I still had hope for them. I still had hope for Star Wars. That being said, The Last Jedi may have problems gluing together its parts, but the parts it is trying to stick together are still powerful and impressive cinema, whether that be the actors, script, set, effects, music, or story. It still sits on the pillars of everything Star Wars was built upon and stands for. It still brings people together both on screen and in the theater. So, do I like Star Wars? Yes. Do I like The Last Jedi? Absolutely. Is it a good film? It depends on who you ask, it has its problems, but from where I’m sitting, it seems the force is strong with this one.

May the force be with you, always.

~* 8/10 *~

(Secret Star Wars Score: 9/10)